Despite its title, this brevity is somewhat romantic. We do see the ogre, however. He inverts himself into the action throughout the film. As usual, the action is partly symbolic, partly surreal (if those two can ever be separated). Toward the end, Eadweard Muybridge still-sequences are brought to life briefly. As usual, the backgrounds are chosen for their color quality.
"THE OLD HOUSE PASSING is, to me, more than just a 'great film' / 'a work of art.' It is, as a matter of careful thought, the only motion picture drama I have ever seen which engenders vision, rather than cutting it back to 'sights' of minded hieroglyphs in movement and / or shifts of symbol stas...
A compact, full-color cut-out animated film as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the m...
Animation. The mystical Lady with the orbital head moves through the carnival of life in a surreal adventure. A classic. Show it to anyone who likes movies.
"A beauty... a genuinely mystical exercise." - Howard Thompson, New York Times