The "gravity" throughout OZ seems spell-bound, shifting from heavy to almost non-existent. Most often this gives the characters, objects and animals an ability to take off, float and ignite into a sparkle of incandescent intensity. Carried aloft by John Davis' music, the cosmic and spectacularly earthly combine to portray a heaven and earth continuum as the surreality of episodes proceed with highly unexpected shifts. Embedded within this non-narrative narrative is a complete portrayal of the Sleeping Beauty fairy tale, spindle-prick and all. This is the most color-intense of all of Lawrence Jordan's animated works and the music particularly compelling, having been composed specifically to fit the film and to propel it resolutely forward.
The poet dreams the bubbles of a maiden through edifices of forest and eclectic contagion.
The mystery and beauty of a high desert colonial town in Mexico, its churches, its abandoned silver mine, its statues and colored streets. [Lines from Federico GarcĂa Lorca.]
A simple contemplation of the outside through a window.