In the THE FORTY-AND-ONE NIGHTS, painter and collage artist Jess (Collins) performs his "Didactic Nickelodeon" of forty-one (now lost) collages to (his) selected sound bits in the manner of a turn-of-the-century cinematic jukebox.
The ancient Greeks divided the night into four sections; the last watch before morning was called the fourth watch. In the hours before dawn, an endless succession of rooms is inhabited by silent film figures occupying the flickering space in a mid-century house made of printed tin. Their presenc...
Under erratic skies, a solitary figure navigates a landscape of constructed nature and broken bones. She peers through a decaying aperture, waiting and watching: the fragility of the body is exposed for what it is: ephemeral, liquid, a battlefield of nervous dreams. Using found and natural objec...
Junk mail detritus forms a handicraft salute to new media. The third part of the UNSUBSCRIBE series.