Animation. The theme is weightlessness. Objects and characters are cut loose from habitual meanings as well as tensions and gravitational limitations. A lyric Erik Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible and that we will not dissolve into a jelly if we allow ourselves to relax into them: a horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation.
"It is impossible not to hallucinate on your own while watching it." - Lita Eliseu, East Village Other
The strangeness of HAMFAT ASAR is laced with carefully molded apocalypses as the filmmaker explores a vision of life beyond death. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby the filmmaker sat quietly without movin...
A microscopic exploration of Japanese comics, candies, maps, washi tape, origami papers, magazines, gambling newspapers, porn, rice, ramen, flowers and marriage. The film is inspired by early direct-on-film works in the spirit of Len Lye. HANEMUN's editing is loosely informed by the Haiku 5-7-5 s...
A foolish magician concocts a potion which fails to do its intended job. A fairy queen turns into a mortal woman and must confront the dazzlement of the world of humans. A gnome steals a princess and a wicked queen traps them all. Who can help them? Who can untangle the web?
"A group of Californ...