On a cold day in November, a family of deer hunters returns from the field to the barn. A cinematic poem about deer hunting, masculinity and a fresh kill. Shot on Super-8mm black-and-white film on location in Wisconsin.
A woman reads Philip Lamantia's poem (from which the film gets its title) which evokes masculine angst as a hand acts out the scenario of the poem.
As disembodied cries move through the rooms of a house, their emotional intensity provokes a reanimation of the dead, cosmic shifts and the manipulation of time and space.
For the first time, Lawrence Jordan animated hand-painted engraved cut-outs on a full-color background. The film is mood-filled: a duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman be...