LOST MOTION
EUTERPE • 11m
LOST MOTION uses small cast metal figures, toy trains, decayed skyscrapers and other found objects to follow a man’s search for a mysterious woman. From an illegible note found on a dollhouse bed, through impossible landscapes, the man waits for her train that never arrives. His wanderings lead him to the other side of the tracks, a forgotten landscape of derelict erector-set buildings populated by lost souls. Dream merges with nightmare in this post-industrial land of eternal, vivid night.
“LOST MOTION is the sumptuously told tale of a failed search... Ultimately the film’s fragmentary constructions become more than modernist denials of illusion and assertions of materiality: essential to the film’s tone, Geiser’s obviously illusory images evoke strong feelings as the mundane drama of a failed meeting becomes intertwined with an essay on the way our lushest dreams fail by virtue of their very extravagance.” - Fred Camper, Chicago Reader
Up Next in EUTERPE
-
MAN IS IN PAIN
A woman reads Philip Lamantia's poem (from which the film gets its title) which evokes masculine angst as a hand acts out the scenario of the poem.
-
MANIAC LANDSCAPES
As disembodied cries move through the rooms of a house, their emotional intensity provokes a reanimation of the dead, cosmic shifts and the manipulation of time and space.
-
MASQUERADE
For the first time, Lawrence Jordan animated hand-painted engraved cut-outs on a full-color background. The film is mood-filled: a duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman be...