MOUNTAIN VIEW
EUTERPE
•
2m 38s
MOUNTAIN VIEW thinks about framing, movement, surface and depth. The film consists of three continuous zooms towards a landscape that are deconstructed into a discontinuous sequence of single frames. Movement is exposed as an illusion of twenty-four static frames per second, the organic movement of the hand dissolved into structural variation. The world seen through the window frame appears as an image, a phantasmatic reality that becomes more and more unstable the closer the mountains appear (until it all disappears).
Up Next in EUTERPE
-
NEW LEFT NOTE
As editor of New Left Notes, the newspaper of Students for a Democratic Society (SDS), Saul Levine was at the center of multiple radical political movements. For NEW LEFT NOTE, he employs a rapid-fire editing style to create a frenetic, kaleidoscopic portrait of the anti-war movement, the Black P...
-
NEW SENSATIONS IN SOUND
Mary Ellen Bute's most compact abstract film energizes a jazzy advertising jingle [by Raymond Scott!] to promote RCA Victor's new stereo recordings! The barrage of visuals features a panoply of animated techniques among which eloquent oscilloscope patterns dance in complex synchronization to the ...
-
NIGHT HUNTER
In this handmade film, composed of more than four thousand collages, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role. NIGHT HUNTER evokes a disquieting dreamscape, drawn from allegory, myth and archetype.
