MASQUERADE
LAWRENCE JORDAN • 3m 39s
For the first time, Lawrence Jordan animated hand-painted engraved cut-outs on a full-color background. The film is mood-filled: a duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sunflower. But Harlequin cannot escape death. The blue world engulfs him.
Up Next in LAWRENCE JORDAN
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MINERVA LOOKS OUT INTO THE ZODIAC
From a central pivotal position, the camera eye (in this case, the hard and inflexible eye of Minerva) looks out upon twelve passing scenes. None of the scenes are necessarily associated with specific signs of the Zodiac. Lawrence Jordan instead assembled twelve of his collages and passed them in...
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MOONLIGHT SONATA
Animated to the rhythms of the fifth "Gnossienne" by Erik Satie. The moon and moonlight are the guiding lights of this visual interpretation and Lawrence Jordan kept the backgrounds in soft greens and blues accordingly. Only the cosmic tumbler, whose enigma is emphasized by his red color, breaks ...
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NIGHT LIGHT
Primarily in black-and-white with touches of color, the engraved artwork was filmed on color negative in order that subtle variations in tone are recorded.
The mood—enhanced by John Davis’ original music—is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The...
