MOONLIGHT SONATA
EUTERPE • 4m 3s
Animated to the rhythms of the fifth "Gnossienne" by Erik Satie. The moon and moonlight are the guiding lights of this visual interpretation and Lawrence Jordan kept the backgrounds in soft greens and blues accordingly. Only the cosmic tumbler, whose enigma is emphasized by his red color, breaks this pattern. Satie's music simplified and refined the imagery, made it the celestial circus of which Jordan had always dreamed. MOONLIGHT SONATA begins a new phase in his animation. He was finally getting in touch with the possibility of real poetry. All works of art seem to come ready-made with their own sets of rules and, in this film, only very simple movements were permitted.
Up Next in EUTERPE
-
MOUNTAIN VIEW
MOUNTAIN VIEW thinks about framing, movement, surface and depth. The film consists of three continuous zooms towards a landscape that are deconstructed into a discontinuous sequence of single frames. Movement is exposed as an illusion of twenty-four static frames per second, the organic movement ...
-
NIGHT HUNTER
In this handmade film, composed of more than four thousand collages, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role. NIGHT HUNTER evokes a disquieting dreamscape, drawn from allegory, myth and archetype.
-
NIGHT LIGHT
Primarily in black-and-white with touches of color, the engraved artwork was filmed on color negative in order that subtle variations in tone are recorded.
The mood—enhanced by John Davis’ original music—is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The...