EUTERPE • 15m
A question that the filmmaker had in his mind: what is the place of the human being in the cosmos? More and more we think about what is "beyond" although less and less is art concerned. The reason why is unknown. Though the question seemed somewhat grandiose, he approached it quite simply. Having never worked with color photography as a primary background to cut-out animation before, the results were surprisingly powerful (helped by John Davis' resonant music). The filmmaker considered it liberating to release human figures into an apperception of suggested space together with the primordial enigma of the revolving sphere.
Up Next in EUTERPE
SOLAR SIGHT II
Basking in time. Many of the approaches to the cut-out material are the same as in first part, however the second SOLAR SIGHT is a much different film. It is more meditative. It has a somewhat slower pace. Lawrence Jordan tried to let the cut-outs float more gracefully. Again, John Davis' music f...
SOLAR SIGHT III
In the third SOLAR SIGHT, completing the trilogy, Lawrence Jordan continues the dream-like form of disparate animated scenes, each with its own "romantic-with-an-edge" slightly surreal flavour. Scenes are sometimes run-on, sometimes separated by brief periods of darkness to relax (as in breathing...
Fully hand-painted cut-out animation and the culmination of five years' work. Totally unplanned, unrehearsed development of scenes under the camera (yet with more "continuity" than any of the previous Lawrence Jordan films) this "alchemical autobiography" meditates on a few phase of the life of t...