We are faking, lying, performing, stretching, translating, doctoring, manipulating, mistaking, working, earning, trying, reporting, deceiving, interpreting, demonstrating, sinking.

"We're surrounded by images. Most art is in a frame, you know it isn't real, it's in a frame. But in addition to ju...

FUTURE LANGUAGE: THE DIMENSIONS OF VON LMO is a distorted portrait of an artist that explores storytelling, ego, delusion, conviction and memory. Von LMO is a musician/artist and self-proclaimed alien-hybrid who was a part of the late-'70s New York No Wave music scene. Between trips to his home p...

I own a carousel. I keep it indoors, in the dark. There are no eyes to see it, no children to ride it. I own the size, presence and weight of it. I own the stress, the power and the idea of it. I did not make it, I do not enjoy it, I own it.

A correspondence film: rolls of high-contrast black-and-white film were sent back-and-forth in the mail over the course of a year until the film began to reveal itself as a science non-fiction fairy tale, a speculative quest–circling and searching, falling and landing, entering and exiting–to rec...

MEMORIA DATA collects the moments of connection from various and distant familial archives. Familiar eyes make contact with the lens, gestures are are tossed to the camera operator and mouths spill unheard words. These images remind us of why we keep records, who we set our sights upon and exactl...

ZWISCHEN [BETWEEN] exists on the thin line between opposing forces. There is no grey between black-and-white, as ZWISCHEN jumps from earth to space, mixes matter with air and materializes inspiration at the insistence of the hand. Dirt moves over light to a hand-drawn soundtrack of noise and space.