Beat Era poets, Kirby Doyle and Sharon (DiDi) Morrill, in a kaleidoscopic phantasmagoria in the form of a jazz duet with motorcycle, trumpets and foliage.
The mystery and beauty of a high desert colonial town in Mexico, its churches, its abandoned silver mine, its statues and colored streets. [Lines from Federico García Lorca.]
Using the cut-out animation, Lawrence Jordan married the classic engravings of Gustave Doré to the classic poem by Samuel Taylor Coleridge through narrator Orson Welles. It is a long opium dream of the old mariner who wantonly killed the albatross and suffered the pains of the damned for it.
"Th...
Except for the removal of one out-of-focus shot (which the filmmaker did not feel fit into the texture of the piece), Lawrence Jordan was never able to change the footage from the way it came out of the camera. The film was never intended as an ‘in-camera’ film but it turned out to be one. An ill...